Carving or engraving a decorative image with concave parts (kruwikan) and the convex parts (buledan) that make up a beautiful picture. This notion grew up known as the sculpture is the art of forming images on wood, stone, or other materials.
The Indonesian people begin to recognize the stone carving from a young age (Neolithic), ie around 1500 BC. In those days fathers of the Indonesian people telahmembuat carvings on stone axes, forging clay or other materials encountered. Motives and carving craftsmanship of that era is still very simple. Generally, geometric patterned lines, dots, and arches, clay material, stone, wood, bamboo, leather, and horn of an animal upon a time known as the Bronze Age, which ranges from 500 to 300 years BC. Materials to make carvings have been developed using materials yanitu bronze, gold, silver and so forth. In making the carving is to use cast technology. Motives in the Bronze Age gunakanpada is meander motif, Tumpal, double volute, masks, and animal or human. Meander motif found on bronze from Mount nekara trim near Bima. Tumpal motif found on a bronze ewer from KERINCI West Sumatra, and on the edge of a nekara (moko of Alor, East Nusa Tenggara. Double helical motif is found in nekara bronze from West Java and on bronze vessels darikerinci, Sumatra. Motif found in the neck mask jug of Sumba . Nusa Tenggara, and the bronze ax from Lake Sentani, Irian Jaya. Motifs depict faces and eyes of people who give magical powers that could ward off evil. Motives animals and humans found in nekara from Sangean.
After Hinduism, Buddhism, Islam arrived in Indonesia, the art of carving experience very rapid growth, in the form of production design, and motive. Carvings found in many-body badancandi and inscriptions that made people at that time to commemorate the king. Forms are also found carved on weapons such as kris and spear, tombstone, mosques, palaces, musical instruments, including gamelan and wayang. Motif carvings, in addition to the shape, sometimes with the story of the gods, myths of heroism, etc.. Historical evidence remains engraved in the period can be seen in temple reliefs Upgrading in Blitar, and Mendut Prambanan in Central Java.
We now carved wood and metal had grown significantly. And has shifted from fungsinyapun things became magical smells just as a decorative wood carvings include saja.pada motive Pejajaran, Majapahit, Mataram, Pekalongan, Bali, Jepara, Madura, Cirebon, Surakarta, Yogyakarta, and a variety of motifs derived from luarJawa. Motives
The Indonesian people begin to recognize the stone carving from a young age (Neolithic), ie around 1500 BC. In those days fathers of the Indonesian people telahmembuat carvings on stone axes, forging clay or other materials encountered. Motives and carving craftsmanship of that era is still very simple. Generally, geometric patterned lines, dots, and arches, clay material, stone, wood, bamboo, leather, and horn of an animal upon a time known as the Bronze Age, which ranges from 500 to 300 years BC. Materials to make carvings have been developed using materials yanitu bronze, gold, silver and so forth. In making the carving is to use cast technology. Motives in the Bronze Age gunakanpada is meander motif, Tumpal, double volute, masks, and animal or human. Meander motif found on bronze from Mount nekara trim near Bima. Tumpal motif found on a bronze ewer from KERINCI West Sumatra, and on the edge of a nekara (moko of Alor, East Nusa Tenggara. Double helical motif is found in nekara bronze from West Java and on bronze vessels darikerinci, Sumatra. Motif found in the neck mask jug of Sumba . Nusa Tenggara, and the bronze ax from Lake Sentani, Irian Jaya. Motifs depict faces and eyes of people who give magical powers that could ward off evil. Motives animals and humans found in nekara from Sangean.
After Hinduism, Buddhism, Islam arrived in Indonesia, the art of carving experience very rapid growth, in the form of production design, and motive. Carvings found in many-body badancandi and inscriptions that made people at that time to commemorate the king. Forms are also found carved on weapons such as kris and spear, tombstone, mosques, palaces, musical instruments, including gamelan and wayang. Motif carvings, in addition to the shape, sometimes with the story of the gods, myths of heroism, etc.. Historical evidence remains engraved in the period can be seen in temple reliefs Upgrading in Blitar, and Mendut Prambanan in Central Java.
We now carved wood and metal had grown significantly. And has shifted from fungsinyapun things became magical smells just as a decorative wood carvings include saja.pada motive Pejajaran, Majapahit, Mataram, Pekalongan, Bali, Jepara, Madura, Cirebon, Surakarta, Yogyakarta, and a variety of motifs derived from luarJawa. Motives
Referensi : www.blogster.com/artbloggue/tentang-seni-ukir-di-indonesia
0 komentar:
Posting Komentar